"Was once a Zaju of the Yuan Dynasty, and the story was taken from" the drama ". In 2010, Chen Kaige (micro blog) adapted it into a movie, which had a mediocre box office response, but the tragedy about Cheng Ying, a medical craftsman, saving the orphan by giving up his son was well known by the audience. Recently, the TV series "the case of Zhao's orphan" starring Wu Xiubo (micro blog) and Du Chun (micro blog) put this theme on the screen again, and put forward the values of "Kong said to be benevolent, Meng said to be righteous" which seems to be forgotten today for discussion.
Although errors in weaponry, address and historical facts are still being tucking away by the netizens of the private sector, they are always blemished. The play is well known as a "zero negative" masterpiece by countless people in story arrangement, character setting, drama conflict and screen effect. In fact, a really good work can be praised and sought after by people from all walks of life. It has always been more than rigorous in production. The key to the success of the case of Zhao's orphan happened to be the direct attack on the missing feelings of the contemporary audience. Once the feelings are missing, they will become more beautiful when they meet again.
The confrontation between positive energy values and folk consciousness
In film and television works, creators like to show the theory of hero's human nature, and regard it as a panacea for a hundred trials. In fact, "Zhao's orphan" also has some of that feeling. It's just Cheng Ying's loyal act of "throwing his son to save the orphan" played by Wu Xiubo. Nowadays, many people question "who believes in it". Chen Kaige must have tried to overestimate his secular audience in that year.
But four years later, the TV series still continued and insisted on showing the loyalty values of Sadomasochism: in order to save Zhao's orphan, Cheng Ying killed his own child by hand.
在中国，血缘是传统百姓的根基，虎毒还不食子何况人。尤其是一个非常渴望能够传宗接代并刚刚享受当父亲的程婴。所以“摔子救孤”和老百姓至少草根 观念是背道而驰的，更是和当近这个世俗化时代道德集体堕落的镜像不符，至少并非传统中国 熏陶下观众的心声。
In China, consanguinity is the foundation of traditional people's culture. Tiger poison doesn't eat children, let alone people. In particular, a very eager to be able to inherit and just enjoy being a father of Cheng baby. Therefore, the concept of "throwing the son to save the orphan" is at least contrary to the grassroots cultural concept of the common people, and it is not consistent with the image of moral collective degeneration in the recent secular era, at least not under the influence of traditional Chinese culture.
However, I don't know that the play is just too much unbelievable, which makes the story seem full of breath. It is impossible to understand the ancients with modern people's worldly morality and utilitarian thinking, but it also arouses some people's expectations of "loyal traitors, righteous heroes" and big heroes.
Then why didn't Chen Kaige do it four years ago? A group of TV people did it at the four-year meeting? Credit to the screenwriter first, he used a whole ten episodes of bedding. Before that, Zhao Shuo faced many problems, such as: to choose to kill Cheng Ying to save the country or to choose to kill South Cheng Ying to show chivalry; to listen to the general's advice to hold tight to the army grain and the Qin army round, or to open the army grain to save the victims, and so on. And Gongsun Chujiu family vowed to be loyal to Zhao family for generations, even if he lost his wife, including his own life.
With enough foreshadowing and the tone of TV play from the beginning to the end, let the audience immerse and understand or admire Cheng Ying's works a little bit, and enjoy: "whenever someone dies generously, justice has more hope of existence in the world."
The second contribution is due to the flooding of most of the previously uninteresting Shenju and leiju dramas, and the flooding of the last two years' vulgar ancient costumes and traversing dramas. Because of their existence, it seems that the case of Zhao's orphan has profound cultural taste and appreciation from the beginning to the end.
On the contest between Wu Xiubo and sun Chun
A "fall son rescue orphans" short-term entanglement and intense, must not be able to support 40 episodes. Full of loyalty and positive energy feelings will certainly make the audience bored. TV plays should be good-looking, first of all, the story should be good-looking, and they should express detached human philosophy. Secondly, most of the so-called good looks come from the characters and the people who interpret them.
First of all, in the first 13 episodes at least, although it has not reached the climax of "saving the orphans by sacrificing the son", Cheng Ying, played by Wu Xiubo, and tu'anjia, played by sun Chun, are both scheming and defying. Your fight with me is very interesting.
As anyone knows, tu'an Jia and Cheng Ying, if not the enemy, are really good "confidants". Different from other conspiracy dramas, I'm afraid the opponent knows the bottom card. In the case of Zhao's orphan, tu'an Jia plays yangmou, and he can't help but live in front of his opponent Cheng Ying to show off his intelligence. Every time tu'anjia digs a hole for Zhao Shuo, he rushes to show off with Cheng Ying. Therefore, in the first 12 episodes, almost every episode has more than 10 minutes to elaborate the way of strategy, and repeatedly, to admonish the key of strategy. Let Cheng Ying admire and let the audience enjoy it.
And the actors. It is said that there are always two attitudes in film and television creation, the first is that actors are excellent because of their dramas and directors, and the second is that dramas and directors are better or better because of their excellent actors. The previous film with better actors is still excellent, while the latter one is inferior or inferior. Then the orphan of Zhao undoubtedly belongs to the latter one.
Wu Xiubo and sun Chun, two emperors, are both good and evil in the play, and they play equally. In each episode, they have a large part of their lines to fight against each other. They can see their feeling of "drama racing" in each episode. In particular, in order to play the roles of Cheng Ying and tu'anjia played by Wu Xiubo and sun Chun, whether Zhao Shuo, Gongsun Chujiu, or Han Jue Yigan, etc., have become the "five big three rough", and their IQ is as low as no lower limit, which makes Wu Xiubo and sun Chun very eye-catching in the whole article.
Looking back, we can see that other TV dramas being broadcast, whether they are ancient costumes, idols or family dramas, all kinds of cute young men, Wu Xiubo and sun Chun are full of "Uncle gas", but "Uncle" in South Korea can be sought after, and the beauty of "Uncle" in China should have been explored.
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